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Add Texture to GoogleFor a long time, watch dials were treated as surfaces that had to be protected from any roughness: flawless lacquer, brushed metal, polished stone, and sometimes enamel. A new generation of small watchmakers, however, has chosen instead to let the material shine through as it is—with its fibers, veins, irregularities, and even seams. Japanese denim, crystallized titanium, Hong Kong street art, pink rhodonite, or exposed mechanical discs: these five watches embody a watchmaking philosophy less concerned with replicating established conventions than with showcasing craftsmanship and creative visions rarely seen on the wrist.
Material as Signature
At Arsène Lippens, the watch begins as a piece of fabric. The young Geneva-based brand had already drawn attention with the Artigiano, a watch whose dial did not merely imitate the weave of linen through embossing: it was actually made of Italian denim woven from cotton and bamboo. With the Artigiano Sashiko Denim, the concept gains depth and a human touch.
Sashiko is an ancient Japanese textile repair technique. Against an indigo background, white stitches reinforce the fabric, extend its lifespan, and transform wear and tear into decoration. Here, the hour markers are sewn directly into the denim of the dial. A thread runs through the fabric, stitch by stitch, under the skilled hand of Pey van der Wel, the Dutch artist behind SASHIKODENIM who has been practicing this craft for over ten years. Each dial is therefore slightly different from the next, as is the hand-finished denim strap that accompanies the watch.
This uniqueness is not a marketing ploy: it is inherent to the material and the craftsmanship. Housed in a 316L stainless steel case measuring 37.5 mm in diameter and 9.9 mm thick, with a lug-to-lug width of 45.5 mm, this seemingly supple dial is protected by a highly domed sapphire crystal. The Sellita SW210-1b manual-winding movement beats at 28,800 vibrations per hour and offers a 48-hour power reserve. Water-resistant to 50 meters, the Artigiano Sashiko Denim is limited to ten numbered pieces, priced at 1,900 CHF. Pre-orders opened on October 9, with deliveries scheduled for December, via Arsène Lippens.
A Diver Shaped by Crystals
The Danubius Black Sea Aventurine stems from a collector’s desire that became an industrial project. Alin, based in Romania, has spent more than ten years exploring watches made from materials less commonly associated with timepieces than steel or gold: bronze, tantalum, mokume gane, and timascus. One piece was still missing from his quest: a watch made of colored crystallized titanium. Unable to find a brand willing to produce it, he decided to develop it himself.
The process involves slowly cooling titanium under pressure to reveal visible crystals within its structure. The metal is then dyed a deep blue. The case, bezel, and crown thus develop patterns that cannot be exactly replicated from one piece to the next. The buckle undergoes the same treatment—a welcome detail for a watch whose very purpose is to ensure that the material is not relegated to merely serving as a dial accent.
With its 40 mm case and water resistance to 200 meters, the Black Sea retains the essence of a true dive watch. Two dial options are available: a Musou Black dial, claimed to absorb 99.4% of light, or an aventurine dial that catches the light like a starry night. The latter version, powered by a 4 Hz Sellita SW200 automatic movement, will be produced in a limited run of 60 pieces. Its price is set at 1,300 euros excluding VAT, with deliveries expected between late 2026 and early 2027. Discover the project at Danubius.
In this selection, it is undoubtedly the most overtly experimental offering. It does not seek to disguise a tool watch as a precious object: it retains the practical attributes of a diver’s watch while transforming its case into an almost geological surface.

Hong Kong, in the Power of Character
In contrast to this showcase of materials, AISION Kong draws on the visual memory of a city. The micro-brand is based in a store in Tsim Sha Tsui Mansion on Nathan Road in Hong Kong. For its first watch explicitly dedicated to its home territory, the brand avoids the expected images of Victoria Harbor, the Star Ferry, or Lion Rock. Its subject is more everyday: the hand-painted signs that have long dotted the local streets.
From the 1940s to the 1980s, many of these signs used Beiwei calligraphy, recognizable by its bold, angular forms, designed to be read from a distance. The closure of businesses and changing safety standards have gradually caused this graphic language to disappear from building facades. Typographer Adonis Chan has spent more than ten years adapting it for digital use, under the name Zansyu. It is this typeface that forms the red numerals on the Kong.
The choice works because it aligns with another tradition of legibility: the sector dial, developed in the 1930s. Against its white lacquered background, the blue hour markers and hands of the same color frame the Zansyu numerals with almost sign-like precision. The polished steel case measures 38.5 mm in diameter, is 10.1 mm thick, and spans 46 mm from lug to lug; the double-domed sapphire crystal reinforces its retro profile without weighing it down. Inside, the Miyota 9039 automatic movement provides a 42-hour power reserve. Water-resistant to 50 meters and delivered on a leather strap, the watch is priced at 4,800 Hong Kong dollars, with a temporary sale price of 4,320 Hong Kong dollars. It is available on the AISION website.
The Pink Stone and the Era of Collaborations
The collaboration between MINIM and L’Artisan Yang tells the story of another kind of connection: that of two young independent designers who initially followed each other’s work from afar. Chloe Chan, the British founder of MINIM, and Arnaud De Bal, the Belgian designer behind L’Artisan, met in Dubai in November. De Bal founded L’Artisan at age 17 and made a name for himself with his work on stone and fossil dials. Their first collaborative piece is set to launch in time for MINIM’s first anniversary.
The Yang incorporates the Chinese characters already featured on the guilloché dials of the MN01, which is currently in production and expected to be released by the end of the year. But this time, the Chinese numerals frame a mineral composition: an outer ring of mother-of-pearl and a center of rhodonite. This pink stone, marked by natural bands, is also used for the small seconds sub-dial at 7 o’clock. Each dial has its own unique pattern, a direct result of how the material is cut.
The 38-mm steel case houses the HZ5000A automatic caliber with a micro-rotor, beating at 28,800 vibrations per hour and offering a 42-hour power reserve. A gray suede strap features pink topstitching. This detail references a one-of-a-kind gem-set piece, which is set to be auctioned during Breast Cancer Awareness Month; all proceeds will be donated to Breast Cancer Now, a cause close to Chloe Chan’s family. The Yang, limited to 25 pieces, is priced at 900 pounds excluding VAT in the United Kingdom—1,080 pounds including VAT—or 1,100 euros excluding VAT in the European Union and the rest of the world. It goes on sale October 25, with immediate shipping, on MINIM.
Telling Time Without Hands
The group’s most mechanical creation is also the most radical in its display. The Angles DiscOne 39 does away with hands entirely. On the left, an hour disc jumps with each hour change; on the right, the minute disc rotates continuously. Both are raised above the dial to reveal the inner workings that drive them. Exposed bridges, screwed plates, and raw metal give the watch a bold, industrial aesthetic.
The first Disc One model measured 41 mm in diameter and 13 mm thick. Roy Chan, founder of Angles, has now returned to more wearable proportions: 39 mm in diameter and 10 mm thick, excluding the crystals. The Miyota 8215 automatic movement features an internal jumping hour module and delivers a 42-hour power reserve. The black Super-LumiNova numerals stand out against a brushed raw steel background, beneath a double-domed sapphire crystal. The watch is water-resistant to 50 meters.
Two finishes are available—Raw Steel and Champagne Alloy—each limited to 500 pieces. Mounted on an Italian vegetable-tanned leather strap with a steel buckle, the DiscOne 39 is priced at $539, with a 25% launch discount applied at checkout. For about 300 pounds after the discount, Angles is bringing to market a jumping hour complication typically reserved for much higher price points. Here, the hour cannot be read at a glance: it is displayed as a small mechanism taking center stage.


